Album review: Kats-Chernin Ancient Letters

Album review: Kats-Chernin Ancient Letters
August 19, 2024 Jacqueline

Multi award-winning composer Elena Kats-Chernin AO and ARIA award-winning pianist Tamara-Anna Cislowska’s third stunning album collaboration  (ABC Classics)

Editor’s Choice in Limelight Magazine, December 2025

“Elena Kats-Chernin’s Piano Concerto No. 3 is subtitled Lebewohl, literally “Farewell” in German, but in the 18th century more of an expression of endearment meaning “Live well until we meet again”.

The concerto is a rumination on what must have been the absolute nadir of JS Bach’s life when he returned home after a tour to find that his young wife, the 36-year-old Maria Barbara, had died and was already buried.

For many years, [composer Elena Kats-Chernin] and pianist Tamara-Anna Cislowska’s impressive synergy has produced many immersive works and here the soloist is alive to every nuance in this kaleidoscopic and trenchant score. …
The concerto certainly belongs in the most brilliant Australian works so far of the 21st century.” 

Read the full review here.

Find the album here: links to stream/ buy/ download 

Search for the album and explore Australian music and Australian artists this month (and more) for #AUSIFY: empowering Australians to take ownership of their algorithm.

November is Australian Music Month (featuring the annual ARIA awards) and the Australian Music Industry is putting the spotlight on Australian music and artists with #AUSIFY: ausify.com.au/about

Streaming, researching, attending live performances and just talking about Australian music and artists of any genre helps shape the algorithms that choose what music gets sent your way – and here’s a list of brilliant the AAM’s Australian artists including Cinque’s own to start exploring: aam.org.au/aam-ausify

“The wonderful thing about Aussie music is the more you explore it the more it gives back. The more you play the more momentum it gains. The more you push it the more local acts turn heads; more kids dare to find their voice; more diversity is spread; more gigs are attended; and the arteries of our airwaves stop narrowing. This music we love is a delicious merry-go-round of sounds that are richer in story, protest, defiance, passion, agro, optimism, experience, and emotion than anywhere else we know.

Let’s never stop Ausify-ing our searches, streams, playlists, content, airwaves, and lives.

We’ll be richer for it. And so will the world.”